Wednesday, April 30, 2008

Late Train



Sitting in the train station after the crowds are gone. Late. Dancing with the casual predators.

The brief eye contact. I see you. I see you.

Come at me, and I just might take you first.


Sometimes the loneliness sticks like a second skin. Especially after the wine and my performance and the forced laughs. The people I'm often with are a crowd of footprints right past me.

I'm not sure I even want to be seen here anymore.

Perhaps it's better that way. Tonight, the train may be full of people like me.

I'll close my eyes as the stations freeze in the window.

Let me pretend.

It's better that way.

Sunday, April 27, 2008

Under the Willows, Part 7 (narrative poem)

(A young man yearns to have the power to reach beyond mortal ends. A sensual vampire tale in the tradition of THE HIGHWAYMAN by Alfred Noyes. Just joining us? Go back to Part 1.)


(Gravestone Detail of a Willow Tree)


He peeled himself from her heaving body
Watching her pant underneath his glare
Her legs were clawed with delicious scratches
And glowed in the moonlight bare

He kissed the neck she surrendered breathless
Lured by its beautiful hollows down
She ripped her buttons and arched toward him
Discarding the shredded gown

He groaned and tasted her body sighing
Piercing the swells of her maiden breasts
His cravings howled with her shameless thrashing
The shivering tree confessed

She pinned her knees to the twisted branches
Twining his hair in her fevered hands
She pulled him down to her molten rocking
And clove her red fires fanned

**To Be Continued**


On to Part 8.
Go back to Part 6.

Friday, April 25, 2008

Meme Friday

I've recently been tagged for a couple of memes. Sounds like a good way to round out the week. So here goes:

Meme #1--Jude's Blind Book

Jude over at Jude's Writing Corner tagged me for this little one. These turn-to-a-page memes always seem a bit curious to me, but I'll use it as an opportunity to mention a very good writer.
  1. Grab a nearby book.

  2. Turn to page 123.

  3. Type lines 6-9.

"I can sure see why you thought what you did."

I frown. "But look at it! You said yourself that you would have a better chance of winning the lottery."

"You would, if the markings matched exactly...."

From Riding Lessons by Sara Gruen. I'm not terribly far in this book, but I really, really enjoyed Water for Elephants by Sara Gruen. I would definitely recommend that one.

Meme #2--Aerin's Six Random Things

Aerin over at Oodellay got me with one of my favorites.

The rules:

a. Link to the person who tagged you.
b. Post the rules on your blog.
c. Write six random things about yourself.
d. Tag six random people at the end of your post by linking to their blogs.
e. Let each person know they have been tagged by leaving a comment at their blog.
f. Let your tagger know when your entry is up.

  1. When I was in second grade, my family moved to Buffalo in the midst of the Blizzard of 1977. If it weren't for exiting at a random Holiday Inn, we may have gotten snowed in on the highway.

  2. After moving, my parents never really drove me around the neighborhood to show me where we lived. On my first day of school, I got off the bus at a house that looked like mine. I realized my mistake after the bus pulled away. I wandered the post-blizzard snow until someone took pity on me and picked me up (after I tearfully denied that I needed help).

  3. I prefer the lower part of chicken wings. The ones with the ulna and radius.

  4. Speaking of bones, Aine and I discuss musculoskeletal anatomy at the dinner table. The kids dig it.

  5. I don't hold other people to the standards I hold myself to. I'm afraid of what would happen if I did.

  6. I bear a fair resemblance to Eric Stoltz. When Aine first pointed that out when we were dating, she said, yeah, that guy who starred with Cher in Mask. I had no idea what to say.

Anyone looking for a post idea? I tag YOU!

Wednesday, April 23, 2008

Penelope's Song


Across the curving horizon, the voice of the ocean boomed.

She stood on the sand. Toes curling to the biting chill. Foam prickled her bare legs, and her skirt snapped behind her knees.

A storm wave exploded on the jetty. Seagulls wheeled.

Still, she felt him.

In the tumbling shells. In the scampering flocks of sandpipers. In the way darkness in the water drained away the day.

She prayed for anyone out there.

Until her legs gave.

She sat until the gales consumed her and drowned his whispers to stay.


(Inspired by this performance of Penelope's Song by Loreena McKennitt. Although the song was inspired by the Odyssey, I only hear her singing to her fiancé, Ronald Rees, who was lost on Lake Huron with his brother and friend. The body of Ronald was recovered, but the other two were never found. This album was Loreena's first after withdrawing for several years after the tragedy.)



Long as the day in the summer time
Deep as the wine-dark sea
I'll keep your heart with mine
Till you come to me

--Loreena McKennitt, Penelope's Song

Monday, April 21, 2008

Night Conversations

You may recall the vignette I did a couple weeks ago called Only Questions in which I conducted a brief, but insightful conversation with myself on an afternoon train ride one day.

It got me thinking.

Sites like Post Secret have given people an amazing freedom to speak some of the hardest things they can imagine speaking. However, in their extreme brevity, they fall short of providing understanding and support. What if I conducted the same sort of conversations with other people? Not to provide advice, or to pass judgment, but just to listen and understand.

I'm proud announce the grand opening of Night Conversations. Participants are invited to pull up a comfy chair, pour a drink, and have a conversation with me. The results, posted anonymously, are then offered to all to share.

Stop over and check out the first conversation, On an Unsettled Spring Night. If you like what you see, spread the word, and be sure to stop back. I'll keep the light burning for you.

Friday, April 18, 2008

Under the Willows, Part 6 (narrative poem)

(A young man yearns to have the power to reach beyond mortal ends. A sensual vampire tale in the tradition of THE HIGHWAYMAN by Alfred Noyes. Just joining us? Go back to Part 1.)



He whispered promises sweet to spiders
Fluttering down from their shrouded feasts
In other bedrooms they wove the faces
With blankets of webby peace

A pair of delicate drops of moisture
Perched on her strangely familiar skin
He coaxed them trailing with loving fingers
His welcoming tears for Bryn*

She jumped and sat with her heartbeat pounding
Seconds like earthquakes consumed the room
She tried to call to her shrouded father
Bewitched in his silken tomb

Her window shattered in howling windstorms
Ripping her gown through the broken pane
She splayed on willowy branches bending
A league down the rutted lane

**To be continued**


On to Part 7.
Go back to Part 5.

(*Bryn in modern times has appeared in the Passions of Bryn series.)

P.S. Just for fun, here is the raw image before Photoshop. I capture all sorts of spur-of-the-moment images from a moving car, but many of them have faults. Photoshop lets me make creative use of them anyway. Plus, I always wanted to paint, and this seems like the next best thing!

Wednesday, April 16, 2008

Send in the Clowns

Five o'clock rolled around this morning. I cracked open an eye.

Hey. What's that I hear?

Trombones. A reed organ. The restless trumpeting of an elephant.

Strike up the band! The circus is in town!

Unfortunately, it's in my intestines. Step right up to the freak show in the bathroom.

Thanks to my younger daughter, I spent all of Tuesday doing a little soft shoe with gastroenteritis. She danced for about 8 hours, but I've got about 18 while I write this. Not fair. Just. Not. Fair.

But hey, I think I'm feeling the very first shadow of what might be hunger. Things might be looking up.

Then again, my older daughter is now next to me because she unleashed a torrent about an hour ago.

Bet I'm in for a long night. I'm living LARGE, baby.

Monday, April 14, 2008

First Thunderstorm



Thunderstorms walk the warm April night. The sheeting rain rushes with the sound of waterfalls or failing winds that never come to rest.

Rumbles far away.

Nearing.

Only to fade to the north.

Tomorrow, the maple blossoms will dwell on the dark thrills in the honey light of day.

Friday, April 11, 2008

Depth of Field and Stacking Close Photography

This is my first real post on photography. I'll try not to bore the crap out of you. (Oh, the pressure, the pressure.) Before I get rolling, though, I need to give you a splash of photography 101.

The two most basic functions of the camera are shutter speed and aperture (i.e., how big the lens opening is). Both control how much light gets into the camera, so in a way, they work against each other. For example, the faster the shutter speed, the larger the aperture must be to let in enough light. The slower the shutter speed, the smaller the aperture must be to keep too much light out.

The biggest factor in shutter speed is motion. If you are taking a picture of a racecar, you need a fast shutter speed to avoid blur. On the other hand, you might want a slow shutter speed to paint the movement of a waterfall. The thing to keep in mind, however, is that most people cannot hold a camera still below a shutter speed of 1/60 of a second. Therefore, unless you have a tripod, you can't realistically go much slower than that.

So, what about aperture? What the heck does that do? Well, the most important effect of aperture is depth of field, which in English means how much of the shot will appear to be in focus. According to some impressive formulas with funky mathematic symbols, the physics of light causes more of the picture to be focused when the lens opening is very small. Let me demonstrate.

These three pictures were taken with increasingly smaller apertures.

Here, only the middle blossom appears to be in focus and the background is very blurred. Large aperture.


With a smaller aperture, the depth of focus deepens and the background comes more into focus (actually, not a desirable thing if the background is distracting).


With even smaller of an aperture, most of the branch comes into focus, but the background is kind of busy.



As you can see, in close (macro) photography, the depth of field is very small. Who wants a gorgeous close-up of a flower where only a few specks of pollen are clear? Blech! So what do you do? Well, you could decrease the aperture like I did above to widen the field.

Well, not so fast. Unless your subject is very brightly lit, by the time you make the aperture very small, you will have to make the shutter speed too slow to handhold the camera. Add in some wind or entirely too much coffee, and you're screwed. Now what?

Well, you could add a flash to solve the light problem. However, the artful use of flash is whole other can of worms. I hate nothing more than a shot with heavy and harsh flash. It looks like the subject is a millisecond away from getting vaporized by an intercontinental ballistic missile.

Here is where stacking comes in. By keeping the aperture large (wide), you can isolate the subject from the background while creating an impossibly large depth of field. Using a tripod (sorry, you're stuck with one now), you inch the focus forward through the subject bit by bit in a series of photos. A stacking program then creates a composite image using only the clear portions.

Here is the process in action.

Note how the first photo is clear on the left, but blurry on the right. By the time you reach the 6th photo, the right is the clear side and the left blurry.








Now comes the fun part. Take these 6 otherwise pitiful pictures, and stack them with a program far smarter than I am. Voilà! You've done the impossible.



Okay, now you have some crazy mad tools. Go get stacked.

Wednesday, April 09, 2008

Under the Willows, Part 5 (narrative poem)

(A young man yearns to have the power to reach beyond mortal ends. A sensual vampire tale in the tradition of THE HIGHWAYMAN by Alfred Noyes. Just joining us? Go back to Part 1.)



Deluged by torrents of new moon darkness
Soaring he swam on the living night
Against the silhouette mountains climbing
He shimmered in ghostly flight

A rustle pulled at the linen covers
Soft was the sound of his landing feet
He crept the length of the grey slate rooftop
Below they returned to sleep

He drew his slithering body liquid
Curled through the cracks where the field mice stole
His languid fingers caressed the bedpost
And tickled their breaths with cold

His aching melodies strummed the final
Withering phase of the April moon
Her lips were touched by the melting lyrics
Seduced by his nightly tune

**To be continued**


On to Part 6.
Back to Part 4.

Monday, April 07, 2008

Ellipse



Close
I drink your gravity
Then we spin away and turn
Hungry to collide
Again


(Experimenting with a new photography technique here. Close pictures suffer from a narrow field of focus. By taking multiple shots, each with a slightly different focus, a program can "stack" them into a single, sharper image. Here, the distance between the tip of the leaves and the end of the branch is much too far to both be in focus in a normal shot. It's not perfect, but not bad for the first try.)

Friday, April 04, 2008

Under the Willows, Part 4 (narrative poem)

(A young man yearns to have the power to reach beyond mortal ends. A sensual vampire tale in the tradition of THE HIGHWAYMAN by Alfred Noyes. Just joining us? Go back to Part 1)



Beneath the roots was a rotted hollow
Carved from the death of an ancient tree
He burrowed warm in the womb of soil
And boiled in tangled dreams

He tasted images pulsing hotly
Fair and retiring emerald fires
He felt her cheek on the goose down pillow
And tiptoed in her desires

A hundred lifetimes on gales he traveled
Human fragility doused the flames
For weeks he chewed on the boundless questions
And searched for his lover's name

A fox's footfalls advanced attentive
Leapt through the forest when Collin stirred
His skin was milk after leaving tattered
His clothing beneath the dirt

**To be continued**

On to Part 5.
Back to Part 3.

Wednesday, April 02, 2008

City


In the soft rain, the sidewalks glistened like rumpled mirrors. Down the street, taxis jockeyed as the light changed. Their brake lights reflected smears of red.

Rachel walked past the sparse businessmen heading for the late trains.

She checked her text messages.

Friend number one flaked.

Friend number two flaked again.

Backup friend, nothing at all.

She resisted the urge to chuck the phone into an overflowing trashcan.

She could've dug deeper into her address book, but didn't want to deal with the humiliation. No use going home either. Not another movie alone in her apartment on a Saturday night.

People shuffled by in the long winter coats despite the humidity. Their shoulders darkened with wetness where their umbrellas couldn't reach. A tiny taste of summer poked through the wild spring days. She heard it in the thunder ducking down trashy, dark alleys.

When she reached the bar, all the reasons not to go inside fluttered in the back of her mind. She pulled open the door and slid through the noise. It didn't touch her. Nothing touched her. The chaos opened a path for her as she took the last open seat at the bar.

She bobbed on the surface of the sea of noise, as she ordered an apple martini, even though it was passé. A game flashed on one of the corner televisions. The drink was pale green. It nipped at the point of her tongue.

Someone tapped her on the shoulder.

Hard.

"Would you mind turning around?"

A male voice. Loud, even for all the noise.

She turned. Half around.

Two guys with two spiked haircuts held foamy beers in feminine Belgium bottles.

The taller one grinned. "See? Totally back-pretty," he said. "I told you, man."

Goatee-boy looked incredulous. "No way! She's definitely decent, dude."

Rachel touched her long black hair and looked down through the forest of legs.

"Back-pretty, and that's my fucking final answer."

A shoulder got shoved.

A hand faked a retaliatory head slap.

The assholes continued their fight and collided their way back to a group near the tables. Some looked over, and some laughed.

Rachel turned back to the sparkling wall of bottles. The bartender was looking at her.

She gulped too much of her drink and slid a twenty over.

She didn't wait for change.

Outside, the fine rain brushed her face like silk curtains. Nice. A reminder of the grace of the Earth and her ancient cycles.

Near an empty park, she saw the bronze statue of a man on a bench reading a newspaper. A local landmark. Pigeons liked to roost on the man's fingers.

She smoothed the back of her coat a sat next to him.

"Hey there."

Traffic lights flashed yellow by the bookstore across the street.

One car's tires sizzled by.

"You probably see a lot, sitting here all the time," she said.

But the man seemed pretty intent on his bronze paper.

"Everyone walks right by you. No one stops to say hello."

She slid her foot out.

"That's what you should do. See that? Just a little foot action. I bet it would be a blast to trip one of them up."

The rain lightened, and a nearby church chime wobbled in her head. She drank that martini way too fast.

She surveyed the sidewalks.

A guy turned to cut through the park. Alone.

A breeze tussled his hair.

"Tonight's your lucky night," she said. "You sit tight."

She snuggled closer to the cold statue and drew her foot back into the shadows under her.

A police siren moaned in the distance.

As the guy got close, she bit her lip to keep from laughing.

~~~~~
There's a harvest each Saturday night
At the bars filled with perfume and hitching a ride
A place you could stand for one night and get gone
And it's clear this conversation ain't doing a thing
Because these boys only listen to me when I sing
And I don't feel like singing tonight all the same songs

Here in these deep city lights
A girl could get lost tonight
I'm finding every reason to be gone
There's nothing here to hold onto
Could I hold you?


--Sara Bareilles, City